A secret dialogue between music and words had already began, beyond frontiers, before the first note was played, even before the first word was spoken.
I believe in this dialogue, in this secret, that asks to be revealed, sung or played, without ever stoping to be a secret. There will not be then a music totally pure of words or language that survives without a musical ground. I believe in it, as it was a preconceived condition, wether from the music or from the words. Conversation, as sex, would already happen, before the begining; Truth, ilusion, good and evil, ugly and beautiful are secondary modulations.
These cloudy thoughts come about our trio’s music. We are used to the idea of “speaking about music”. But we are less used to the inverse example that this record represents: the idea of “playing about words”. And not only in the sense that “music is a universal language” (indeed, and that is part of the secret), but also and mostly here, in the sense that, despite the absence of words, the music of the trio carries a strong semantic energy. The notes are taken as if to “say” and almost reach the limits of a language not yet spoken. Evidently, they can not reach the point of saying “this” or “that” without stoping to be music.
Many are the places where the trio aproaches dangerously the worlds of spoken language. The rhythm, joy and laments, of a certain Lisbon accent, the recognition of the anglo-american jazz empire, the dream of “lost” arab and jewish wisdom, the madnes of spelling all the languages on the face of the earth. The rhythm, joy and laments, of a certain Lisbon accent, the recognition of the anglo-american jazz empire, the dream of “lost” arab and jewish wisdom, the madness of speaking all the languages on the face of the earth, all this counts among the impossible subjects of our polilogue.
João Paulo Esteves da Silva
credits
released January 1, 2003
João Paulo old piano, new piano, accordeon, percussion and voice
Paulo Curado alto and soprano saxophones, bottle and voice
Bruno Pedroso drums, percussion and voice
All compositions by João Paulo, Paulo Curado and Bruno Pedroso
Recorded by Paulo Feijão, May 2003 at Musicorde Studio, Lisbon | Technical direction by Pedro Santos | Mastered by Fernando Rascão
Produced by Pedro Costa and Rodrigo Amado | Executive production by Trem Azul | Cover photo by Rodrigo Amado | Design by Rui Garrido
supported by 8 fans who also own “As Sete Ilhas de Lisboa”
This is a great record! It reminds me a little of Gunther Schuller's 'Third Wave' experiments.
I admire Dave for his consistent involvement in moving the music forward ...as complex, involving and articulate as anything he has done. John Cratchley
supported by 8 fans who also own “As Sete Ilhas de Lisboa”
This quintet has acquired legendary status as a working unit...all the musicians are exemplary at their craft and DD is one of my 'Big5'...he is an exquisite composer of both depth and breadth of vision...you can instantly recognise Dave's DNA in a tune...what's more, you feel there is also so much more to come!;his powers of expression are so special.
These compositions are from the heart and I can only suggest that you take them to yours...
John Cratchley
supported by 8 fans who also own “As Sete Ilhas de Lisboa”
This is a beautiful, lyrical session. The interplay between Dave Douglas's trumpet and Frank Woeste's keyboards creates some surprisingly lush textures and the rhythm section of Matt Brewer and Clarence Penn lift it to another level. A real find. chorna
Jazz bassist Nim Sadot pays homage to the life of his his late grandfather, a Polish artist who escaped a Soviet labor camp. Bandcamp New & Notable Sep 1, 2022
Trumpeter Harry Spencer’s orchestral modern jazz has cinematic scope, inspired here by dissidents throughout history. Bandcamp New & Notable Oct 3, 2023